Somerville Gallery and the Coronavirus

Due to the current Coronavirus situation we have taken the sensible precaution to suspend formal opening hours of the Somerville Gallery in Otley. Whilst the foot count of visitors is usually not very heavy in a concentrated fashion, the nature of the screen panelling is such that close contact with other people is inevitable.

Should anyone wish to visit the Gallery we are quite happy to accommodate by appointment only for the time being.

By telephoning Ian or Jayne directly at the studio in Burley in Wharfedale : 01943 864349 arrangements can be made to suit most circumstances.

Ian will work solely from the studio for the time being.

We will keep the website updated with news as it develops and please don’t forget that most products can be distributed on line.

Abstract Art Explained

Abstract art uses a visual language of form, colour and line to create a composition which may exist with a degree of independence from visual references in the world.[

Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. The arts of cultures other than the European had become accessible and showed alternative ways of describing visual experience to the artist. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time.

Abstraction indicates a departure from reality in depiction of imagery in art. This departure from accurate representation can be only slight, or it can be partial, or it can be complete. Abstraction exists along a continuum. Even art that aims for verisimilitude of the highest degree can be said to be abstract, at least theoretically, since perfect representation is likely to be exceedingly elusive. Artwork which takes liberties, altering for instance colour and form in ways that are conspicuous, can be said to be partially abstract. Total abstraction bears no trace of any reference to anything recognizable. In geometric abstraction, for instance, one is unlikely to find references to naturalistic entities. Figurative art and total abstraction are almost mutually exclusive. But figurative and representational (or realistic) art often contains partial abstraction.

 

Both Geometric abstraction and Lyrical Abstraction are often totally abstract. Among the very numerous art movements that embody partial abstraction would be for instance fauvism in which colour is conspicuously and deliberately altered vis-a-vis reality, and cubism, which blatantly alters the forms of the real life entities depict.